The Feminist Film: An Analysis of the Feminist Narrative Form in the Films of Rakshane Bani-Etemad, Pouran Derakshande, and Manijeh Hekmat
Author/editor: Malekpour, M.
Published in (Monograph or Journal): Middle Eastern Journal of Research in Education and Social Sciences
Publisher: Baynoon Centre for Studies and Development
Year published: 2020
Issue no.: No. 2
Page no.: pp. 15-28
Volume no.: Vol. 1
Abstract
Purpose: In this paper, the aim is to examine film form and narrative in relation to gender identity and the politics of representation. Drawing distinctions between these methods make it possible to identify how feminist frameworks are used to examine identity, aesthetics, and ideology through film culture.
Approach/Methodology/Design: Thematic analysis, employing a feminist perspective. Three films were selected for conducting this type of analysis: Rakshane Bani-Etemad’s ‘Nargess’, Manijeh Hekmat’s ‘Women’s Prison’ and Pouran Derakshande’s ‘Hush! Girls Don’t Scream.
DOI or Web link
https://doi.org/10.47631/mejress.v1i2.130File attachments
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